Originally
commissioned and performed by the Maarten Altena Ensemble in 1996;
premiered at the "Mishcan" Center for Performing Arts in Tel-Aviv
1999 as part of the ensemble's first program, REFLEX1. Written for
ensemble & voice that seems to be speaking, but is unheard; instead,
The music reflects the voice. The 24 pre written musical sentences
are performed through a dialogue between the lead character and
the ensemble. A collaboration with choreographer Ruth Tamir, the
choreography creates an interactive dialogue with the music
The
score is based on a series of notes, organized in sections. The
musicians react to a pre-recorded non-even click-track heard through
earphones that keeps them on the edge of their seats all throughout
the piece. The text, 'Ka-Di-Ma-Le-Chi-Al-Ze' (in Hebrew - 'Go-for-it-Girl'),
suggested by Israeli poet Efrat Mishori, is broken down into stuttered
syllables.
Composer
Director, Video Art & Soundtrack; Keren Rosenbaum Violin; Hadas
Fabricant, Jacky Shemesh- lighting & video Art.
Written
for Acoustic Violin, Soundtrack & live electronics. Performed at
the Ultra-Sound Festival in Tel-Aviv 2000 as part of REFLEX3 - "Duet
for Violin & Spotlight".
POLITICS (2001) Soundtrack
InBetween (2002)
Composer
& Electronics; Keren Rosenbaum
Violin;
Saida Bar Lev, Cello; Hilla Epstein
The
piece is written in a Cubist form each section ends with a feel
of Fermata. Commissioned for the Tel-Aviv Museum of Art.
Originally
commissioned and performed by the Maarten Altena Ensemble in 1996;
premiered at the "Mishcan" Center for Performing Arts in Tel-Aviv
1999 as part of the ensemble's first program, REFLEX1. Written for
ensemble & voice that seems to be speaking, but is unheard; instead,
The music reflects the voice. The 24 pre written musical sentences
are performed through a dialogue between the lead character and
the ensemble. A collaboration with choreographer Ruth Tamir, the
choreography creates an interactive dialogue with the music