As
opposed to other interdisciplinary art forms, that flirt with different
creative genres, "Reflex 2" do not ask to be understood, but to
be experienced. Anyone who would surrender him or herself would
leave more enriched than before, and since they have another performance
tonight, this is indeed a recommendation to see and experience them. "If
not for the contemporary experimental ensemble Reflex, the local
musical scene would be much duller… The artistic integrity was
one of the most important components of the evening…" (Noam Ben-Zeev,
Ha'aretz Daily Newspaper) This
artistic integrity was one of the most important components of the
evening. (Noam Ben-Zeev, Ha'aretz Daily Newspaper) The
rest of the evening was characterized by professional precision
and good taste of the whole production - the costume design, the
lighting, the sound, and above all - the high level of musicianship
and the dedication of the ensemble's members. (Noam Ben-Zeev,
Ha'aretz Daily Newspaper) "An
original counterpoint between the body producing the sound and
the music. The performance is excellent" (Ruth Eshel, Ha'aretz
Daily Newspaper) Keren
Rosenbaum is trying to take her ensemble to different places. She
brings the theatre out of the music, and the drama from the musicians.
The goal is to reach total freedom, and breaking the stage from
the chains imposed by the normal concert setting, with the audience
on one side and the musicians on the other.(Boaz Cohen, Yediot Aharonot
Daily Newspaper) "Reflex"
expand the boundaries of what is called "musical creation", and
their music is a live soundtrack, at times kicking and at times
caressing, but constantly intriguing - and breathing. Not as a metaphor,
but literally" (Boaz Cohen, Yediot Aharonot Daily Newspaper)Keren
Rosenbaum is trying to take her ensemble to different places. She
brings the theatre out of the music, and the drama from the musicians.
The goal is to reach total freedom, and breaking the stage from
the chains imposed by the normal concert setting, with the audience
on one side and the musicians on the other. (Boaz Cohen, Yediot
Aharonot Daily Newspaper) |
